Japanese Classic Cartoon(1933)

Here is a nice piece of inspiration to kick this week off. I am no expert at Japanese animation but I liked the Fleischer likeness of this cartoon. I also really like the inventiveness of the scenes ala Felix the Cat kind of stuff. I don't have any info about the film as I just happened upon it on Youtube. But, here is a 4 set dvd collection of old classic Japanese cartoons put out by Digital Meme to fill this largely missed historical void! Oh and I would like to highlight Anipages for the source I use to fill in this gelatinous void of mine about the Japanese scene.

Sweet Salt

While taking a break from devouring the newly served up morsel, the Animate! book: Rethinking Animation, I thought I would take some time to see what animators I could snack on-line on. So there, lo and behold, Dek from No Fat Clips! has Katerina Athanasopoulou stuck between his teeth and I thought I would pick at the Sweet Salt taste of it. I mentioned this film awhile back when talking about Suzie Templeton, who was the set designer on this film. Now you can see this short film in it's entirety in various concession stands on the net and better still nibble on a podcast interview with Katerina here. I will go more into the Animate! scheme later on but I just wanted to point out this short film. Katerina studied painting in Greece and that is very evident in the sensual mood and other-worldliness in each frame that is created by the effects here but unfortunately I think the story as a whole suffers from it's sumptuousness. The narrative isn't hard to follow it is the empathy of the characters that is too sweet rather that salty. The ending needs to be more apparently bitter rather than subtle to my taste. Nevertheless, Sweet Salt is still a beautiful digression and it's experimentation in it's effects and themes reminds me of Lorelei Pepi's short film Grace. Take knife in hand and go and gorge yourself on the layered fillings of these two films.

Russian animation part 2

I don't know where I found this but here is a mined mountain mother load of contemporary animation from Mother Russia. Rambler Vision has many prrreh-shh-us nuggets to stare at that will undoubtedly be forged into rings of grandeur, most notably for me is Konstantin Bronzit's At the Ends of the Earth (shown above)!! Yesssss! Not much else to say but to go open your omnipresent blood shot eye and spend thousands of hours watching the glowing cube. In the end you will look like troglodytes mesmerized by strange shiny Cyrillic symbols and not wanting to share with the rest of those in the dark. Just remember it was miiine first!!

Animatsiya - Russian animation

Well there is a new blog on the block, Animatsiya, and it is pointing it's telescope up into the night sky to bring news and reviews from the animated stars of Ursa Major! Niffiwan's (0r ESN) website is devoted to exposing, highlighting and translating Russian animation. He has just recently finished translating, The Cat Who Walked by Herself (shown above)! It is an obscure film that dates from 1988 and is based on a Rudyard Kipling short story. Here is the Wikipedia synopsis of it. This is great stuff! Not only is it laid out like a Russian feast for our viewing pleasure here but it is a film that is little known even to the Russian populace. So please take the time and watch this unknown feature length film clocking in at 1 hour 9 minutes. It uses various animation techniques and has a cool 'soundtrack'! Also, check out the rest of his blog and leave lots of comments of encouragement. Thanks for exposing this film for us. I will certainly raise a glass of vodka to that...URA!

CLYDE HENRY

Well, the Clyde Henry train has finally pulled into the station and arrived with a suitcase filled with menace and particularities! Madame Tutli Putli, I have been awaiting your visual haunting for what seems an eternity now. Not that anyone is reading this blog anymore but the impending clickety clack of this film is enough to break my stopped motion and begin to turn the hamster wheel again!! Here is the synopsis of the film:

Madame Tutli-Putli boards the night train, weighed down with all her earthly possessions and the ghosts of her past.

She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure. Adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons and is drawn into an undertow of mystery and suspense.

The Clyde Henry's are the team of Chris Lavis and Maciek Szczerbowski. You wouldn't know it to see it but this is their first professional film. The trailer alone reveals beautiful animation, the sets meticulous and the music will no doubt be epic ( as it was composed by David Bryant, who was one of the founding members of Godspeed You Black Emperor). This film has been an epic in itself as it has taken at least 5 years to make. To see it you can go to Annecy this year or just go and collect the snippets of isolated mementos and details at the Official NFB site and watch the trailer and the interviews. But I am sure this film will be making it's way through a festival town near you!

Also, there is actual news on the Clyde Henry site about their future projects which include 'The Seige of Quebec' with Momentum Theatre for a t.v. mini-series. And, they are working with Bruce MacDonald's production company to adapt Chester Brown's, Ed the Happy Clown, to film.
Great STUFF!! So go my lemmings and wait for the Northern train to take you over the surreal cliff and into the desolate landmindscape of Madame Tutli Putli.

UPDATE: Cartoonbrew post
Drawn! post
and better still: Jason Walker's site (who worked on Madame Tutli-Putli)

Ann Arbor Film Festival

First, I want to congratulate Guilherme Marcondes for winning the best animated film at this year's Ann Arbor Film Festival!! There was some stiff competition as this year's AAFF had a nice slate of animated films in this 45th anniversary of the festival. Here are some of the films I noted: Don Hertzfeldt's Everything will be OK (which won best narrative award), Osbert Parker's Film Noir, Kathy Rose's Life in the Web, Naoyuki Tsuji's Children of the Shadows, Takashi Ishida's Ema/Emaki 2 and a celebratory retrospective of the films of Helen Hill. I think you will be seeing alot more of Helen Hill on the festival circuit this year!! Now that I have let this tyger out of the post bag, hopefully my entrails of thought will continue to stain the page. Fire up the electrodes!!!

Squidinklings

Hello there kitties! I know that I haven't been posting much here in the last while but I have been posting my most terrible doodles at Squidinklings!! Don't despair though, there are lots of tasty scoops of goodness to fill those eye cones with here (like Squidulin's above!). Yeah, this is another communal drawing therapy group to help motivate us and others to draw for the fun of it. If you wanna join please feel free to scribble me an email or just leave a comment (please, it's for 'their' egos:) In the meantime, I am gathering back up steam or flatulence to climb up and poke my big melon outta the hole to report on all the edible independent g.m.o. (generally misrepresented organizations) carrots that I have been nibbling on lately.

Torill Kove

Torill who? You might be asking. Well, Torill Kove, this year's Academy Award winner for Best Animated Short film, that's who!!! Her film the Danish Poet took top honour this year beating out the household names of Disney and Blue Sky. So, it was nice to see the underdog take it for all the little independent guys who did not make it onto the final nomination ballot. Congratulation to Torill and her team!!! Here is the official film site! Also, be sure to check the interview.

Spared Change and Ryan Larkin R.I.P.

The fine art of wallowing is the walk that I have been trying to perfect for the last little while. Frantically but methodically I pace back and forth trying to remember all the steps that make up this Danse Macabre. It is like chasing an anamorphic shadow that can only be caught in the spinning reflection of my former self. Fractured soundloops of memory work up to a fever pitch as the skeletons emerge out of the shadow box. Looming over me, the parallax makes them gigantic and skewed and I move further away from myself. I try and look back but I can only squint at the bottom line of hindsight. Lost in this closed circuit, I finally find some solace in the passing light of Ryan Larkin. Here, let me stumble back to a beginning...
I first read about Ryan Larkin in an article that Chris Robinson wrote for AWN back in 2000. I was immediately taken in. A gifted animator fallen from grace at the hands of a 'rock n' roll' lifestyle. Cool! I thought that Walt being strung out on meglomaniacy was the only secret tabloid of the industry. So, it was here that 'the Pimp' got me hooked on Ryan and the animation world. I wanted to find out more about Ryan. I even toyed with the idea of making a documentary about him (believe it or not). Anyway, a couple of year's past and I heard a rumour that Ryan was going to be working on his first film in decades with the help of the Quickdraw Animation Society and the Ottawa Film Co-op. But, when I asked Chris about it, he said that the deal had fallen through because it would have hurt his welfare cheque and that was all he had left (see Chris's article for the details). It was like Ryan exuded a stench of pathos but did not want anyone to help clean him up. Like some medieval Flaggellant, he masticated himself with the drink and the harshness of life's blows. This was penance of beer, piss and brine that preserved an image of self no matter how grotesque. But then, Chris Landreth came along and held up a mirror. Landreth not only did "a" documentary, he tapped into the power of animated documentaries (i.e. Sproxton and Lord, Park and Fierlinger to name a few) and he brought a credibility to the plastic eye candy of CG. The finished product, Ryan, was a two-headed silver coin in Ryan's cup that exposed the face of failure, bitterness and all, on the one side. But more importantly, re-illuminated the films of Ryan on the otherside and the uncalculable face value that he has contributed to the animation world. Landreth, as everyone in the world should know, went on to win an Academy award but more significantly Ryan Larkin was given the Norman McLaren Heritage award (or was at least nominated) to much dismay of some people in the Animation community. My point is that the light source was turned up a notch for Ryan and the genuine outpouring of respect from everyone might of just spared some change in him. This was then magnified with the help and support of friend Laurie Gordon and his shadow shortened even more. Then lo and behold Ryan started working on a film called Spare Change. He also recently completed idents for Mtv!! I definately do not want to make this into some Disney film ending! I am just saying that even though he clung onto loss for decades, it makes me happy to see that he was starting to get that something back of his former self even if it was just more money for drink. But I do think it goes deeper than that though. Maybe it is the hope of seeing someone coming back from the shadows that I cling to? Whatever it is, my hat is tipped, as well as my perspective, to the life and work of Ryan Larkin. He has shown me that there are different kinds of walks and maybe I can find my own way back onto the path I started 7 years ago.
Cheers to Ryan for he was a gentle soul and an inspiration.

Buh-Nnee!

I know my friend, John Keane, will kill me for posting this doodle of his. But, since his website is being revamped I needed something to fill the hydrocephalic void! It also gives me a chance to plug his latest project, Blood Nation. John did the art work for this on issues #3 & 4! Check out more blood stained goodness here and here! Woohoo! Maybe I can convince him to start posting some of his daily doodles on my new blog, Squidinklings!! Wha' da ya say dere ya know, son?! Buh-Nneeeee!!

I want to be in Calgary so I can go to this

INTERNATIONAL FESTIVAL OF ANIMATED OBJECTS!!

Guy Delisle

Alllright-ee then, let's keep this blog rolling! Let's hear your best singing voice raise in unison for a quebecois rendition of "Bonne Fete" pour Guy Delisle, as it is his birthday today. I realize that I have been neglecting the comics and art quotion so I will try and make up for it in the coming weeks. So, you might of heard of Guy Delisle's books, Pyonyang or his recent Shenzhen, both of which have topped multiple 'best of' lists over the last couple of years. Here is a nice interview from NPR with Guy speaking about his work and HERE is a recent article from the Ottawa Citizen shedding some light about his thoughts on the changing industry of graphic novels and publishing. More importantly, Fous D'Anim posted about an exhibition of his in France that one can see all the great pics from on the Lili & Beko site!! Huge Zoetropes and pictures from his experiences in China and North Korea. Check out the fun that we are missing over here on this side and hope a gallery or festival in Quebec will get this exhibition over here! Don't laugh, it could happen...as Amid Amidi at the Brew points out, Montreal is getting THIS!!! If you haven't read any of Guy's stuff, I encourage you to pick up a copy. Walk backwards to your nearest book store or your local library as it is probably there by now. Hopefully, the mainstreaming of comix is a good thing and not it's great undoing.

Tara Bryan

I am having trouble writing & drawing these days so I thought I would try and let the inspirational squid out of the jar or in this case the Jack! out of the bookbox?! If you squeeze hard enough the ink will ooze out like a concertina and you'll be absorbed by the master bookcraftery of Tara Bryan. I have always had a soft squishy spot for Artist's books, ever since I visited the Chicago Center for Book and Paper Arts gallery. It made a lasting impression and doing an artist book myself is a constant on that 'to do' list before the ink runs out. That's why I have to wake up and take notes from Tara's bag of visual tricks. Tara's art books are stunning and creative in design. Sculptural, tactile and architectonic, the books take on a physical presence in one hand and a very functional play on the words in the other. In this case, 'Jack!' takes the form of a jack-in-the-box or 'Down the Rabbit Hole' expands or descends into the literary manifestation thereof. And it is this bunny that happily jumps in big head first into the paper walled world that she has built! Let the squid out tentacles and all.

AniBOOM!!

Well here is a post that I should of done on Monday (well actually last year but curmudgeoness takes alot of work). So with that said, get yer arses over to AniBOOM!! A veritable one stop animation spree that will light a match under yer aforementioned area and make ya wanna do your own. But since their animation competition is now over, you can help decide who gets a piece of the $50,000 dollaro prize. That's right! A hand clenched, wee beady eyes, toothy grin kinda of prize. I am partial to Bendito Machine, Mr. Fortune and my favorite HUMANS!! Not that I am trying to influence anyone. Go vote. And light a match!!

50 Greatest Cartoons time capsule...

I have been caught in the winter blahs of a mid-life crisis and I shouldn't be quite there yet. So, it was with a big bell over my head that I walked into this swinging list of the 50 Greatest Cartoons from 1994 (via Cityrag and Ticklebooth). The reverberations took me in a time capsule flashback with a big 'BONG' (although back then I was still sheltered and naive) and woke me back up to what is good in my life...animation and cheese.
You should dig a little hole, plant yourself down and bask in the warmth of your monitor where you can watch almost all of these classic cartoons. For example, numero 44 on the list is Frederic Back's, 'The Man Who Planted Trees' (shown above). It put a little smile on my face so I guess that makes me a 'Person of the Year'. Mmmm...spreadable.

The Animation Show Round Trois!

As Game Over signals the death of my Dreams and Desire in this City Paradise, 9 Rabbits whilst in a fatal Collision with a Guide Dog gurgle in unison that Everything Will Be Okay and that in Overtime I will forge through the Strong Waters but tragicallly in the end there will be No Room for Gerold. What is this peyote inspired rambling you say? ...well it is the third round bout of the ANIMATION SHOW! Giant mouseketeer sea creatures take on the entire 'Flying Zambini' bros. air squad in this match to the death. Here is the schedule to go see this Amazing touring ocean battle semi-near you or not even close at all!! For those interested locally, it is playing in Royal Oak from Feb. 13th-21st @ the Main Arts Theatre.
Mike Judge and Don Hertzfeldt have put together another visual clambake that yields many pearls. Like the 'current hot potatoe' of the animation scene, Max Hattler, to last year's idolater, Run Wrake! The other films are festival faves and award winners, check out the full list here. The one that caught mes yeux was Eaux Forte (shown above) by Remi Chaye. Yeah Remi!! I had the pleasure of meeting Remi this summer as he is working on Cartoon Saloon's highly anticipated feature film, Brendan and the Secret of Kells. Here is to good coffee, a broken piano and broken noses!
Go see and enjoy the "spectacle" (I wonder if the french have a word for that).

Happy New Yearski!!!

N.F.B. Animation Hothouse 4- - Call for Submission(s)

Instead of picking away at the carcass of leftovers as your chins multiply into a gelatinous totem for small tribes to worship at, you should sweat some of that 'holiday cheer' off over at the Hothouse. The National Film Board's Hothouse that is and once again they are calling for visual artists and filmmakers of all kinds who have an interest in animation to submit a portfolio by January 15th! The Hothouse scheme is now in it's fourth incarnation and it's theme this year is: A Chance Encounter. Which is what most Korean animators hope for with Maral Mohammadian (sorry Maral, couldn't help it) who has just joined the Hothouse team from her smashup work with the Ottawa International Animation Festival. Here is the official blurb that she sent me:

NFB Animation Hothouse Call for Submissions: Deadline January 15, 2007

The National Film Board of Canada seeks submissions from emerging filmmakers (young and old), and artists intrigued by animation art, for the fourth edition of the Animation Hothouse. This year’s Hothouse runs from March 5 to May 25, 2007, at the Animation Studio in Montreal .

Six selected participants will direct a 30 second film, from creative inception all the way through final sound mix and video release in twelve intense weeks.

Submissions may come from across Canada and an artist’s fee will be paid.

The theme for this Hothouse is: A Chance Encounter

Please see full program and submission details here:

www.nfb.ca/hothouse2007

The Hothouse scheme is all we have here in Canada and even though I would like to see more time in both production and film length, it all hinges on the quality of talent that applies to it. I was going to rant here but instead I urge you to get the word out to all those artistic friends of yours to apply. There isn't that much time but at least try to get the old Caesar's thumbs up and out of the gluteus maximus and out into the gladitorial animation arena that is a Hothouse.

Ryan Larkin

Well if this isn't a perfect story for the holidays, I don't know what is! When I was in Montreal, I read this story on the front page of the newspaper. Congrats to Ryan Larkin! I hope this helps him finish his own project, Spare Change! Who would of figured Mtv (where you can watch the idents) to drop some coinage into the Larkin cup to give him the needed help that he so desparately didn't want or didn't seem to want. So with the exposure and success of Chris Landreth's film about him and his friendship with Laurie Gordon, this flamboyant street tatterdemalion of St. Laurent could be the come back story of the year in animation. Now if ya don't know about Ryan go and watch this and then go and get this!

DVD Hardercore Part 2

This is the short (court metrage) buffet table of other DVD's I would like to mention for those who are interested. I know I am missing a lot of cool DVD's that have come out this year so please don't hesitate to send a little memo, via an orifice, to my lovely gerbil associate who is on a prolonged lunch break from the wheel. So grab your plate and head on up to the all-you-can-consume-before-your-top-button-explodes-to-kill-the-person-in-front-of-you smorgasborg.

••Igor Kovalyov-Milch (shown above)
••Gilles Cuvelier-Chahut
•Franck Dion-The Phantom Inspector
••Paul Fierlinger-Drawn from Memory
•Rosto-Mind the Gap Trilogy
••Virgil Widrich-4 Films of
••George Schwizgebel-The Painted Pictures of
••Signe Baumane-Ten Films Animated by
•David Shrigley and Chris Shepherd-Who I am and What I Want
••Run Wrake-Rabbit

Compilation DVD's
•British Animation Awards Vol.1-6 + Best of's
••Avoid Eye Contact Vol. 1 + 2
••Anxious Animation
•Experiment(s)
••OneDotZero
•Ars Electronica 2006
All of these DVD's can be found on the ChaletFilms.com website (except for the RunWrake which can be found on his website.) Or buy them direct from their site where possible. I know this is the YouTube era of watching every known animated film out there but it is nice to have the actual film in your collection and to give back to the artist. Although, I don't know how much gets back to the artist??