Thursday, October 27, 2005

Animation Blast off with issue numero nuovo!









Amid Amidi of CartoonBrew is finally coming out with the long awaited Animation Blast #9. Preview it here! An animation magazine written by animators about animators, unlike some other mags that deal with the business/merchandising of the industry. Order it now and fill that gap in the cranial void with inspirational goodness.

Wednesday, October 26, 2005

Machine Molle



Here is another french studio producing cool videos. Check out Machine Molle's video for Air's, Electronic Performers and the excellent Don't Give Hate a Chance for Jamiroquai!! 'Nuff said...have to go burn the midnight oil.

Tuesday, October 25, 2005

The Quadrivium of advanced comix studies

Just a friendly reminder to all who might find themselves in Toronto this weekend. Seth, Chris Ware, Charles Burns and Chip Kidd will be at the International Festival of Authors on Saturday. Check out the info at the Beguiling site. Can't say enough about these guys except that if you don't know who they are then you are missing out on the making of comix history.


Monday, October 24, 2005

Baerbel Neubauer

Dare I say experimental animation without people reaching for the utensil drawer for a sharpened spoon. I know there was a plethora of ocular damage incurred at the OIAF this year when Barbara Doser's , Even Odd Even was shown. But I digress, I am still writing my thoughts on the subject and know that I am preaching to the uncoverted. However, I did notice that Baerbel Neubauer's work was shown at the Egyptian theatre in LA yesterday sponsored by the Goethe Institut. I just want to expose a flicker of her work to enlarged 'playstation' pupils to induce some sort of cultural seizure. I will not go on some raving diatribe just yet but if you want to stop complaining about the juvenile quagmire that animation is in please check her work out.

Sunday, October 23, 2005

MOMAnimation

The Sleep of my reason produces animated monsters being interviewed about their view on art, technology and education. My insomnia paid off last night as I stumbled upon a genie of the lamp and it's mine, all mine, mine,mine, mine! But I figured nobody reads my blog (except kevin and katie) so it is safe to post this diamond in the rough. Daniel Durning interviews sound and visual artists relating to computer animation on WPS1 MOMA online art radio. The Art and Technology program features interviews with artists working on the cutting egde of computer animation to educational issues of how to teach CG in this rapidly changing field. There is an extensive backlog of programs that you can listen to so go and enjoy this Sunday inpiration of art, animation and technology. Quickly, before I delete this blog and deny that it ever happened.

Friday, October 21, 2005

A book you can climb into...

Literally! This magnificent book reprints the beautifully restored sunday pages of Winsor McCay's, Little Nemo in Slumberland. It's size is a small island, 26 inches long by 16 inches wide, where you can curl up and marvel at the superb draughtsmanship and surreal adventures that make up the world of Little Nemo. Openning it up you are enveloped by the rich restored colours.
Here is an interview with Peter Maresca who published and edited the book. Also, the NewYork Times wrote a good column on it.
I saw this book at the Beguiling and was too intimidated by it. The price rings in at $160 cdn or $120 american. I also heard that the print run would exceed 5000 copies. So with fork truck in hand go out and buy a copy to prop up beside or as a base for the X-mas tree! Item wish numero duo for those concerned to know!!

Guinness 'noitulove'


Cool guinness ad highlighted by Amid at the Brew. Not only is a pint of the good ol' black stoof close to me heart but seeing a gobsmacking ad for it makes me like it even more. Done by the good folks at Framestore CFC. Slainte!

Thursday, October 20, 2005

Iron Artist

Douglas Gordon's Play Dead:Real Time Nicolas Deveaux's, 7 Tonnes 2

The Iron Artist! Today's ingredient--elephant!! France vs. Scotland.
When I saw Nicolas Deveaux's work 7 Tonnes 2 CG short I immediately thought of Douglas Gordon's installation piece Play Dead: Real Time. Not just because the main subject is an elephant but because both of them deal the absurd. Deveaux's work starts out with an elephant, beautifully rendered, lumbering in a gymnasium. As he labouriously walks he encounters a trampoline and then proceeds to get on it. The next shot shows the behemoth bouncing up and down. The absurdity of the sitution leads to more as the elephant breaks into a gymnastic routine twisting and contorting about in mid-air.
Douglas Gordon's installation Play Dead consists of 2 floor to ceiling screens and a small monitor where the viewer watched a film loop of an elephant walking in a gallery space playing dead and then getting back up. The camera circles around the elephant as she walks, sits and inhabits the space. The absurdity comes in the guise of the pachyderm playing dead for the audience and then ever so awkwardly and clumsily has to rock back and forth in order to get back up. Of course there are more levels in this piece for various reasons but the main one is the connection between the real elephant and the viewer. Why I juxtaposed these works together is to show how an idea and theme is executed out whether for an gallery or a short film. I hope it is also a good staging point to expose art and animation on the same level without sounding either too low or high brow.


Wednesday, October 19, 2005

Edmond Baudoin

One of France's most celebrated comic artists is Edmond Baudoin. He has had very limited exposure in North America although he was at the first Toronto Comic Arts Festival in 2003. The above photo is the sketch that he drew for me. Amazing brushwork! Total fearlessness of ink on paper. He spoke no english and I very little french but through gestures he conveyed to me his philosophy of drawing. He started off with the fine details of the face and stated that this was the foundation of the drawing. But then he charged his brush with black liquid chaos and with a 'Big Bang' the universe was created. He announced that that thick bold brush stroke was 'La Vie'!! Life with a capital 'L'!! It sounds a bit cheesy as I write this down but it was inspiring.

He has now come out with a new book called Crazyman. It is his take on the Superhero comic and more specifically on Superman. Here is a good write up about it via the Comics Reporter. So hopefully with every publishing company jumping on the graphic novel bandwagon now someone will translate it for us and bring it out here. You can see a translated piece of his work in the Rosetta 2 anthology and the Warburger Anthology. Needless to say that Edmond Baudoin is one of the top comic artists today and should be heralded in that elite pantheon of sequential art.

Tuesday, October 18, 2005

Character Design 101

Why the fug didn't I think of this!! A great blog started up interviewing artists about character design. Characterdesignblog has interviews with Harald Siepermann, Stephen Silver, Robin Joseph and James Robertson to name a few. Take pen and paper in hand and slather on the sun tan lotion so that you can bask in the warmth of a hand drawn sun.

Monday, October 17, 2005

Arthur de Pins


I was just going through some old sites that I haven't visited in awhile and ran across Arthur de Pins. La Revolutions des Crabes is a nice animated piece that I saw last year. The look of the film belies the curvaceous femmes and caricature illustrations that Arthur draws. You can view all of his animation projects on the site but I still like the crabby one zee most. Viva la Revolution!

Sunday, October 16, 2005

Sunday Inspiration from the Pulpit of Ed

I heard a good interview with Art Spiegelman today on Definately Not Opera on CBCradio. He was asked what makes a good comic and he said (I paraphrase), 'like in all art, it is the unique voice or vision of the artist'. With that I thought I would share with you artists outside of the animation/comix scene to give inpiration and bleed the veins that connect the body of creativity. So open up the hymn book to page one and sing praise of the work of Ed Pien. Ed is inspired by Eastern and Western mythologies and mixes the two together into a disturbing vision of man and monsters. Like medieval beastiaries done in Sumi-e, Ed creates worlds that Bosch and Goya could easily inhabit. He uses ink on transluscent paper to create floor to ceiling installation pieces, like The Garden of Earthly Delights, for the viewer to explore and interact with. Images of the grotesque and mundane are illuminated and float through an organic world of colour and light. Ed pushes the traditional medium (ink on paper) not only in scale but in the use of video projection and audio recordings he creates an entire immersive world.
Amen.

Saturday, October 15, 2005

Prelude to Eden

I know this is old news for some but Michel Gagne has his Prelude to Eden on-line for everyone to view!!! Also, his Insanely Twisted Shadow Puppet show was picked up by Nickelodeon and he will be showing the episodes on his site as of NOVEMBER 1st!! Break out that giant sharpie and mark it on the big ol' cranium calender so that you see it in the ceiling mirror every morning!

Thursday, October 13, 2005

Ottawa Part Pas de Deux de Deux


The other masterclass that the NFB so graciously sponsored was film maker Paul Bush. This was a relaxed friday morning coffee in hand chat with Paul as he discussed his background,technique and philosophy about animation. The best thing that I like about Paul as an animator is his continual fearlessness of techniques to get across his ideas. Scratch film, pixellation, time-lapsed and film collage are the various tools he employs to challenge and further push animation as an art form. Paul's film were shown and then he would talk about the ideas, techniques and if we were lucky funny asides about the film. His Comedy was his first film and he used the scratch film technique etching away the dark negative on the film of Gustave Dore's engravings. You can see the same technique used in his bigger budget film, The Albatross.
In his talk he compared animation to just being a 3 hand card trick fooling the eye and that all one has to do is set up the idea and the viewer fills in the gaps. You can see this in his Dr. Jekyll and Mr. Hyde where two people play the lead role as he continually changes between actors. The changes happen quick or slow according to mood, tempo and drama. We, as the viewer are fully aware of the film trick but get captivated by it at the same time. Keep the idea simple he stressed, as long as there is something happening for the viewer that is important.
My favorite film that was shown in the retrospective of his work was Bugsby Berkeley's tribute to Mae West. It is a four panelled split screen of the male penis from arousal to not using time-lapsed photography. It is hilarious and uncomfortable at the same time. Paul Bush's films are where boundaries are pushed and life lessons are dealt in this 3 hand card trick that we are happily fooled by ever time.

Wednesday, October 12, 2005

Intermission

Sorry about the gap in postings but I have been having technical difficulties with my server and uploading images to the blog. But Ward Jenkins is doing a bang up job at reviewing the Ottawa Festival. I was going to give my 2 cents on Rosto's Jona/Tomberry but Ward sums it up nicely.

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Saturday, October 08, 2005

Ottawa Part Deux


Well this is only a part of part 2 because there is just so much to write about. I saw every program in the festival and I am a little overwhelmed at where to start. So I thought I would just start with my favorites and randomly work my way through the competitions.
Competition 2 was one that I had no expectations for. The only short that I was looking forward to was Rosto's, Jona/Tomberry. I also like Rick Raxlen's stuff but I was very disappointed with, Academy Stripper. It felt like Rude Roll (which I like) all over again. Maybe I was expecting too much? But, the one short that took me by surprise was ICHTHYS by Marek Skrobecki!! This stop motion puppet piece is like some zen monk who sneeks up and smacks you with the stick of enlightenment. No dialogue just human gestures observed with microscopic precision to convey this allegory of patience. It is a simple story of a man that has to overcome the long arrival of his (last) supper. Marek manages to capture the subtle human condition of anticipation to the utter breakdown of psyche into madness. The stop motion animation is breathe taking and while researching about this film I found out that Marek uses life sized puppets (for this film one metre high) which might explain how he captures the nuance of every movement. The story itself embodies a medieval parable like the ones you would find in the Decameron or The Canterbury Tales. The kind where faith and prudence are the moral lessons and in the end we are all just worms ready to be eaten.
Watch the trailers that are on-line and hopefully this one will make onto a DVD.

Thursday, October 06, 2005

Killoffer

Merde! Typocrat is publishing 676 Apparitions of Killoffer in English! This free-form continuous narrative of orgy-filled anarchy will knock yer pants off. With that we can join Killoffer in full throttle debauchery as we puke, shit and stumble across the black (and white) panel-less floor. A mix of Chris Cunningham drinking with Brueghel and Dante as the author himself plays all the characters on a violent downward spiral through the various levels of hell. Blood, spit, urine stained morality tale that is a bound polyptych of boschian goodness. This is NOT available until December but I am sure the good people at the Beguiling will carry it when it comes out.

Rocketo

I have only one word for Frank Espinosa's ROCKETO...brilliant! What a tour de force in brush work and colour. A dynamic explosion of visual tnt on every page. Here is an interview with Frank here! Rocketo has definately rejuvenated me out of this post-Ottawa rut that I find myself in.

Tuesday, October 04, 2005

Top of my X-mas wish list

I read this Calvin and Hobbes today and thought of the CBC workers who have to ratify their contract (only it should be hockey Calvin is playing, eh Alex)Also, today marks the day when the complete Calvin and Hobbes collection is available to our grimy little claws. Here is an interview I found with Bill Watterson. You can add this one to the Far Side collection you already have!

Michael Dudok de Wit









Ottawa Highlights Part One:
Michael Dudok de Wit is an amazing animator with great attention to light and shadow, space and atmosphere. I was fortunate to make it to the masterclass he gave sponsored by the NFB (your tax dollars in use, not just for 'experimental wank crap' that I heard during the festival but I'll get to that later). Michael started off by showing alot of his commercial work and talked about the industry and some technical pointers. Clarity of story or purpose was one of the things he talked about and the importance of having the viewer enter the world that you create, i.e. not just having drawings that talk. Another point he made was to get feedback from friends and colleagues to make sure that what you put down actually shows what you intended. These are simple things but I think they are easily forgotten. The best part of the talk was when he talked about the 'C' word...no, that would be if JJ Villard was doing a talk...Creativity is the ellusive subject that Michael talked about. This was a humbling topic as he talked about how everyone of us gets in a rut or falls into the self-effacing mode of questioning ourselves. Working through it by taking time to be outdoors or going to a gallery or even listening to some music helps. He didn't say whether porn and cheetos was one of those pick me ups but whatever gets you going. Also, one is surprised what one can draw under pressure or just focussing on it. Unfortunately, the talk went over the time allotment but Maral was nice enough to let us see Michael's beautiful film, Father and Daughter, but the talk quickly ended. It would be nice to know how the classes in Montreal and Toronto went as there was probably more time. Anyway, I apologize to Michael for butchering his words and I thank him for letting me watch him lecture on the twitching cadavre of visual expression.
(Tip-if you buy Animation Unlimited, Father and Daughter is on the dvd that is included with the book.)

Sunday, October 02, 2005

What's Living in my Enlarged Brain Cavity

A long overdue episode of What's Living in my Enlarged Brain Cavity!
Here are the spoils that I picked up last week: (starting in the lower right going counter-clockwise) Leviathan by Jens Harder, Unsung Heroes of Animation by Chris Robinson, The Sharpest Point: animation at the end of cinema by Chris Gehman and Steve Reinke, Acme Novelty Library by Chris Ware, Non no.5 anthology, Ed the Happy Clown by Chester Brown, Pyonyang by Guy DeLisle and the one you can only see the corner of is Rocketo by Frank Espinosa!!! So needless to say I have alot of good sitting out on the deck with strong coffee reading to do.

Ottawa Photos


To see more click here! ***UPDATE*** all of my pictures are now up.

Thursday, September 29, 2005

Nicolas de Crecy

I just want to wish Nicolas de Crecy a Happy Birthday! His animation connection is with Sylvain Chomet of Triplets of Belleville fame. Check out his wordless graphic novel Prosopopus.

free(hand) fall

I apologize for the sudden silence. I was on such a high all last week revelling in animationgeekdom! But now, plunged back into the depths of boredom and monotony I find myself depressed. The first day back at work I had to go to a union class, which I don't mind as it is a relief from the job. But as you can see above my mind was not at work nor in Windsor but lost in the my persistence of vision. Anyway, between the tears of crying into my beer I am getting my thoughts together on the festival and hope that I can post the photos on flicker or something to that effect and a review by the weekend. Until then check out, Mole in the City, the new media winner of the festival.

Tuesday, September 27, 2005

headwreck


Wow! What a great festival this year!! There was so many excellent films this year. I feel sorry for the jury, who did a great job, that had to pick winners out the many outstanding films. Check out the winners here. I am happy to see that Milch and _grau won. Always the highlight of the festival is the picnic where you get to meet and greet or stalk in my case all the animators in attendance. Oh and carve pumpkins of course.
Congrats to all the winners and to Chris, Kelly, Maral and Andre and all the volunteers that made this (now) annual festival a success. But as Paul Bush said so well, it isn't about the awards it is about seeing the films. So I urge one and all to make the pilgrimage up to Ottawa to see all the best in independent animation.
So, highlights of the festival to come when I get unpacked and settled. Also, if anyone who attended has pictures PLEASE send some to me as my camera went bellyup on friday.

Tuesday, September 20, 2005

Road trip



Well I start my road trip today! I am making my way up to the Ottawa International Animation Festival. I will be reporting back with reviews and lots of pictures. So set the old gerbil watch to start running next tuesday for all the latest and greatest from Ottawa. Here are a couple of doodles to keep you entertained until then...

Monday, September 19, 2005

_grau


A couple of more days until the OIAF begins. Are you excited specimens? I know I am. One of the 'experimental' films that I look forward to seeing on the big screen is Robert Seidel's, _grau. This abstract journey into an ever shifting environment is both spiritual and organic. My initial reaction to this is that it is one of the few pieces I have seen that brings the essence of the experimental pioneers into this century. The download takes awhile...I don't know if I would attempt it without highspeed connection...but it is worth the wait.

Sunday, September 18, 2005

something in the wine


I don't put alot of CG stuff up on the big cranium canvas but I like the stuff from the students of Supinfocom! There must be something in the wine because the films that come out of this french college have a nice film sensibility. That is, they have more substance and don't blow there load on special fx. Mind you Akryls is definate eye candy but one gets quickly lost in the micro/macro vision of the ever emerging worlds. No explosions or skantily clad women or martial arts are required to carry this exploration of worlds within worlds. Is it progressive? no. But it is good to see this kind of film being produced at a early stage of these animators careers. For a good download click here.
Some other notable films to watch out for is Overtime and Getting started both of which will be showing in Ottawa.

found

I found this sketch in an old folder. I thought to myself, "where's his ears?". But then I thought, if you squint and tilt your head it kind of looks like Vincent. Nah! I suck!!
BTW...I turned the comments back to 'anyone' so my congregation of megacraniacs may send pleas of mercy once again.

Friday, September 16, 2005

sketch friday



Yawn! Yeah I know pretty boring stuff but I broke out the brush pens to give them a try. I did these drawings after looking at my friends John Keane and Barry Reynolds work. Very nice stuff...if only they would have something online for me to link to (hint hint)!!! Crazy Oirish boiz! Wha's da stohry?

Thursday, September 15, 2005

Feric vs. Joslin


In my sleep deprived state I have been wasting my days surfing the Dead Sea and stopping every once in a while for a drink. On one such stop I found the art of Jessica Joslin. She mixes bones and other found objects with antique mechanisms to create beautiful specimens that would look well in my curio cabinet. Which reminded of the art of Eric Feng aka Feric. His illustrations match well with Jessica's sculpture only he creates these high tech fauna hybrids. So I take another sip and images of the two artists work clash in some 2D vs 3D war with the hum and hiss of Joslin's antique (think Brothers Quay) creatures serpentined around the sleek cyborg killing machines of Feric (think Peter Chung's Aeon Flux...hope the movie is as good as the series). Now I would sell my collection of St. Mikey Jackson's noses at the drop of an infant to see that!



Wednesday, September 14, 2005

Joann Sfar

I know this is late in posting but if you find yourself wandering the streets of Toronto next tuesday go and check out the french 'it' boy of graphic novels, Joann Sfar. The Beguiling is hosting a meet and greet with Joann hot off the press with his new book, The Rabbi's Cat. The event is free and maybe he'll do some of that 'mime trapped under the weight of his own head' stuff for our amusement. Click here for all the pantomimed details.

Monday, September 12, 2005

me doodle



Here we go me fellow closet doodlers...sorry about the quality but I am just trying to get some stuff up. If and when I get my studio back in order I might break oot the ol' brushes.

Sunday, September 11, 2005

Cartoon Saloon

Well here is a long overdue post about the mental animators at the Cartoon Saloon! Da boiz and grrls dere are working on some craicin' work including a feature film, Brendan and the secret of Kells. Their character designs and backgrounds are top notch and they prove that 2D animation isn't dead...it moved over the pond and is having a pint of the black stoof in Kilkenny. Now if only someone would give them heap loads of money to start their own Kingdom! Picture Mic smoking a fag tellin' all the boys and girls to FECK off!

Thursday, September 08, 2005

I will DESTROY you!

Lee Misenheimer is Destroy Rockcity! His illustration of fiendish characters and agitated design will certainly have you coming back to be destroyed again and again!

Wednesday, September 07, 2005

Red Nose Studio

The operation room is open and ready to vivify Rednose studio with our rusty blade! I giggled like a mad scientist discovering the first siamese twin when I found the site of Chris Sickels! Viewing this site will cause great elation with mild side effects of depression (and an urge to poke forks in your eyes). Watch the animation and then run to your local hardware store to make your own puppet* to star in 'The Bigheaded Bunny discovers ebola'.

Tuesday, September 06, 2005

Animation pimp


Sorry this is a rehash of news via the boys at the Brew (link CartoonBrew) but I am on midnight shift this week and spend my days dreaming of mutant bunnies and having tea with hieronymous bosch. I digress, Chris Robinson, a.k.a. the animation pimp over at the AWN, has written a new book that will make it's premiers at the Ottawa Animation Festival. (All the more reason to go Kevin!!!) There are not a whole lot of books out there devoted to independent animation: Jayne Pilling's, Animation 2D and Beyond; Animation Unlimited by Liz Faber and Helen Walters and Animation Now by the Anima Mundi people. All of them have pros and cons to them but all are good books to get you started and Chris's will no doubt be a must have on that list. Chris's writing is raw and thoughtful and comes from a more literature based view point. He sets out to make you think about the animation in a different way, even if he crams it down your throat sometimes. In the end you will like the abuse and thank him for it.

Sunday, September 04, 2005

blog (re)name?

Well specimens, I am considering changing the name of this experiment but I am not sure. Give the ol' caesar thumbs up or down on the whether the bigheadedbunny lives or dies under the rusty knife of toohardtorememberitis.

Saturday, September 03, 2005

de Seve

Peter de Seve wakes me up in the middle of the night, whispering sweet reminders that 'I suck'! From his character designs to his covers for the New Yorker, de Seve is an artist's artist. If only my genetic extractor would work then I would steal his powers! But, until then, I will just have to wipe the craters of jealousy dust from my eyes and quietly sob into my inkwell.

Friday, September 02, 2005

Oscar Grillo

A couple of years ago I was fortunate to meet Oscar Grillo at the Ottawa Animation festival. It was one of my patented shy awkward 'I love your stuff Mr. Grillo...guffaw!' sort of meetings as I slank away like a cockroach scurrying under the light of my own embarrassment. But, it was great to meet him and I listened to him talk to JJ Villard who won that years festival Grand Prix prize. The best though was he gave a retrospective of his work and talked about his career. His work encompasses all styles which shows how he has made a long career in this precarious field of corporate driven production. If this was not enough, the final star tacked onto my enlarged pupils was when he showed an animatic of a personal film he was doing on the life and work of Charlie Parker. Now he has a blog where he gives us a regular dose of inspiration from his sketchbook. Don't forget to listen to the music while staring at the pictures.

Thursday, September 01, 2005

the return of Ryan Larkin

Wow! this is probably the best news I have heard this year. Ryan Larkin, who was an influential NFB animator in the 60's and 70's is making a long awaited return. Chris Landreth's oscar winning short Ryan (2004) brings into focus the blurred past of Larkin's rise and fall in the world of animation. From the once gilded halls of the NFB to panhandling on the streets of Montreal, Ryan Larkin is finally working on his first film in over 25 years called Spare Change. To help him finance his film he has a website RyanBango.com and he has also created a poster (pic up top) for the 100th anniversary of the Saint-Laurent Boulevard. Visit his website for more info on how to support his film.